For business clients, I take on the creative direction of voice recording sessions as a freelance director. I work on-site or remotely, integrate into existing workflows, and ensure that recordings are executed with precision and efficiency in terms of content.
In addition to directing, I also support casting on request. With a background in film directing studies, over 11 years of experience, and my involvement in supporting emerging talent, I have a strong understanding of the voice acting landscape and know how to guide voice actors effectively.
As a director and production partner, I support companies, agencies, and studios in executing voice productions efficiently and in a predictable way. Instead of coordinating multiple service providers, you have a single point of contact who understands the production process and provides expert guidance for decision-making.
Through my experience in media production, corporate communication, and voice direction, I combine creative requirements with practical production constraints. This means realistic planning, transparent communication, and decisions that are artistically sound while also taking budget, schedule, and project goals into account. For clients, this creates a clear advantage: less coordination effort, lower project risks, and a production that is designed for efficiency from the very beginning.
Unclear casting, a lack of alignment with brand and tone of voice, or limited experience working with voice actors can quickly lead to unnecessary revisions, extended production timelines, and rising costs in corporate and agency environments.
I help brands produce authentic voice content that reflects their identity. The focus is on aligning tone, target audience, and use case—whether for campaigns, corporate films, or brand communication. Decisions are informed by hands-on production experience as well as established principles of audience communication. For clients, this results in a consistent brand presence, less coordination effort, fewer revision cycles, and a production that is designed for impact and efficiency from the very beginning.
Not every project requires the structure of a large production house—yet its overhead costs are often included by default. For many mid-sized companies and advertising agencies, effort and budget therefore do not always align in a meaningful way.
Through my established network of professional voice actors, studios, and production partners, services can be assembled flexibly on a project basis—without passing on the overhead costs of traditional agency structures. Clients benefit from professional production standards, personal support, and short decision-making paths. Projects remain financially predictable and can be adapted flexibly to their actual requirements. This creates a key advantage, especially for companies producing professional voice content for the first time: access to industry knowledge, production expertise, and established networks—without the financial barriers of large full-service providers.
Between the script, the recording, and the final product, countless decisions are made that shape characters, tone, and impact. Without a shared creative direction, interpretations can quickly drift in different directions.
As a director, I guide productions from casting through to the final recording, ensuring that the creative vision is faithfully translated. I work at the intersection of writers, development teams, publishers, studios, and voice actors, translating narrative goals into concrete performance decisions.In the studio, this provides clear direction for voice actors and a structured recording process, while still leaving room for creative input that enhances the story.
Voice productions are not built from isolated recordings, but from the interplay of characters, dramaturgy, tone, and direction.
Every casting decision shapes how a character is perceived. Every directorial choice influences pacing, credibility, and emotional impact. That’s why I don’t see productions as a collection of individual lines, but as a narrative system. Character relationships, narrative function, target audience, and the creative vision of a project continuously inform the directing process.
For audiobook publishers, this means a sensitive approach to literary material. For dubbing studios, direction that respects both the original work and the requirements of the localized version. For game developers, a working style that accounts for interactive storytelling, branching dialogue structures, and the specific demands of modern game production.
The requirements of audiobook production differ significantly from those of series dubbing or narrative video games. What they share, however, is the need to tell stories through voice in a precise, credible, and impactful way.
Over the past years, I have worked on traditional radio drama productions, experimental audio formats, and narrative media projects. At the same time, my work in corporate communication has given me a strong understanding of structured production workflows, planning, and collaboration. This combination of creative and organizational experience enables me to work with both creative teams and production management on equal footing.
In more complex productions with many stakeholders, this creates a clear advantage: creative decisions are made faster, communication becomes clearer, and the narrative line remains consistent across everyone involved.
Dubbing
Audio drama
Games
Audiobooks
Voice-over
ADR
Advertising
Teaser / Trailer
Documentary
Corporate
Explainer
E-learning
Request availability now and receive a non-binding quote.
(+49) 177 187 1792